![]() This idea is postulated as another indication that the work was probably a joint effort between Verrochio and his students. The prevalent theory is that this may point to a misunderstanding of the medium, most likely by an inexperienced apprentice. On close examination of the picture, cracked paint is evident on the surface, which is caused by paint drying before the layers underneath are thoroughly dry. ![]() Egg tempera is considered one of the oldest painting techniques and was extremely common in the early Renaissance until oil based paint gained prominence. Verrocchio painted Tobias and the Angel using egg tempera, a technique in which ground colour pigment combines with an emulsion of egg yolk and water. The most accomplished parts of the picture – in particular, the dog and the fish – are proposed to be the work of the young da Vinci. Some go so far as to say that the painting was a joint work between Verrochio and his apprentices, including da Vinci, and is, in fact, the earliest da Vinci work yet discovered. Notably, some experts believe that da Vinci may be responsible for certain aspects of Tobias and the Angel. Several renowned painters trained with him, including the most famous Renaissance painter of all, Leonardo da Vinci. He maintained a popular workshop in Florence, under the patronage of the famous Medici family. Although primarily known as a sculptor, Verrochio was a well-regarded painter who worked alongside Sandro Botticello and Filippo Lippi in the latter part of the 15th century. His name, meaning 'true eye' derives from his early patrons, an established Florentine family of benefactors. Verrocchio was a well-known artist of the era in Florence, Italy. ![]() In the context of the Renaissance, the picture is considered a devotional work, with the focus on Raphael, as protector of the blind, the young and travellers, rather than Tobias. Charity, enterprise and filial piety were the central tenets of the group, and it commissioned a large number of paintings of Raphael - of which Tobias and the Angel was one – before sending their sons abroad to conduct business. The confraternity consisted of a large group of superstitious merchants who came together to perform charitable works. The story of Tobias and the Archangel was a favourite story in Florence at the time, to the extent that a confraternity of St Raphael developed. Raphael, known as the guardian angel of healing and medicine, comes from the Hebrew meaning "God heals". The Church celebrated them as guardian angels who acted as protectors and messengers. The Roman Catholic tradition of the time venerated Archangels. ![]()
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